KESENIAN ADU DOMBA (Fight Art Sheep)

Pitting is one of the typical folk art western Java are quite popular, especially among traditional. This art is a legacy of ancestors who survived existence until today. At its core is a showcase pitting dexterity livestock, which in turn will raise the prestige of an association of certain livestock. The participants are breeders of sheep scattered in almost all western Java, especially areas arrowroot, Sumedang, Bandung, Majalengka and others. Event pitting carried out every year by a system of competition, almost every month rotating activities implemented in the regions. The duo arena pitting one of which is located in the Valley Siliwangi.
Each event pitting always crowded with spectators. This activity also has a fairly high prestige due to many figures who are also fans of Sundanese well as its owner, such as Kang Ibing (late) and others.

Kuda Lumping

Kuda lumping also called distance braid or jathilan is a traditional Javanese dance featuring a group of soldiers on horseback middle. This dance using horses made of woven bamboo in and cut like the shape of a horse. This horse webbing and fabric decorated with colorful paint. Kuda Lumping dance usually only show scenes hussar, but some also serve appearance lumping horse possessed attractions, immunity, and magical powers, such as glass-consuming attraction and immune against flogging whip. Jaran braid is part of the dance performances reog. Although this dance comes from Java, Indonesia, this dance is also inherited by the Javanese who settled in North Sumatra and in some areas outside of Indonesia such as in Malaysia.

Kuda Lumping dance is played with the property in the form of a mock horse, made of woven bamboo or braid. None of the historical record is able to explain the origin of this dance, only a verbal history handed down from one generation to the next.

That said, lumping horse dance is a form of appreciation and support of the common people against the cavalry of Prince Diponegoro in the face of the Dutch colonizers. There is also a version that says, that lumping horse dance depicts the story of the struggle of Raden Patah, assisted by Sunan Kalijaga, against the Dutch colonialists. Another version says that, this dance tells the story of war games Mataram forces led lane I, King of Mataram, to face the Dutch troops.

Regardless of the origin and historical value, lumping horse dance reflects the spirit of heroism and military aspects of a cavalry or cavalry. It is seen from movements rhythmic, dynamic, and aggressive, with the flick of woven bamboo, mimicking the movement like a horse in the middle of a war.

Often in Kuda Lumping dance performances, the show also featured attractions smelling magical supernatural powers, such as chewing attractions glass, slashed with machetes arm, burn away, walking on broken glass, and others. Perhaps, this attraction reflects the supernatural powers in ancient times developed by the Kingdom of Java, and is a non-military aspects are used to fight against the Dutch troops.

WAYANG GOLEK

Marionette Puppet is the traditional arts of West Java, which is a play doll made of wood and played by voice actor cum director called Dalang. A Puppeteer has expertise in imitating various human voice. As with Jaipong, staging Marionette Puppet complete musikDegung denganSinden accompanied her. Marionette Puppet usually performed at entertainment events, weddings or other events. Time the play was unique, ie at night (usually night long) started at 20:00 to 21:00 until 04.00 am. The story that brought revolves around the struggle between good and evil (good figure against the villain). The story is much inspired by the Hindu culture of India, sepertiRamayana or Baratayudha War. The characters in the story took on the names of Indian land. In Marionette Puppet, there is a 'character' highly anticipated staging is called Purnakawan groups, such as Dawala danCepot. These characters are popular because they are the leaders who always plays the role of a funny (like comedian) and often provoke the laughter of the audience. A clever manipulator will play the character with a very interesting variation.

Puppet ( Kesenian Wayang )

Derived from the word puppet, which is a source of inspiration in the form of figure drawing and story.
Puppet is a nation that has been known to work sejak1500  development BC and in contact with other elements and continues to grow, creating a form and content as it is today.
Puppet serves as a medium of information, education, and communication times, puppets in their original form arose before entering entrance Hindu culture in Indonesia and began to develop during the Hindu Javanese.
performing arts puppet is remnants religious ceremonies Javanese people are remnants of animism and dynamism.

Angklung

Is a traditional musical instrument from West Java area, this musical instrument made of bamboo, can be played alone can also be in the mix with other instruments, but generally played en masse.
angklung instruments consist of: angklung melody, accompaniment angklung, and angklung bass. angklung used for night patrolling facilities, harvest parties, and weddings.

During its development, angklung evolved and spread throughout Java and Borneo and Sumatra. In 1908 recorded a cultural mission from Indonesia to Thailand, among others marked submission angklung, then this bamboo music game also had spread there.Even since 1966, Udjo Ngalagena angklung figures who developed the technique game based tunings pelog, salendro, and madenda began to teach how to play angklung to many people from various communities.

Tari Jaipong - Sunda

Jaipongan is a genre of dance that was born from the creativity of an artist from Bandung, Gugum Gumbira. Attention on folk art, one of which is Tap Tilu making Perbendaharan know and know very well the patterns of dance traditions that exist in Kliningan / Bajidoran or Tap Tilu. Movements openings, pencugan, nibakeun and some range of motion mincid of some art above has enough inspiration to develop a dance or art that is now known as Jaipongan.

 Prior to this emerging form of performance art, there are some influences behind this social dance forms. In West Java, for example, social dance is the influence of the Ball Room, which is usually in the dance-dance association could not be separated from the presence of the dancers and pamogoran. Ronggeng in social dance is no longer working for the ceremony, but for entertainment or a way slang. The existence of the dancers in the performing arts has a charm that invites sympathy for the pamogoran. For example in Tilu Tap dance is so well known by the Sundanese people, estimated this art around 1916. As a popular folk performing arts, art is only supported by simple elements, such waditra include fiddle, drums, two kulanter, three tap , and gongs. Similarly with the dance movements that do not have a standard movement pattern, a simple dancer costume as populist reflection.

 Along with the waning of the above type of art, the former pamogoran (audience actively involved in the performing arts Tap Tilu / Doger / tayub) switched his attention on Kliningan performing arts, which in the North Beach area of West Java (Karawang, Bekasi, Purwakarta, Indramayu, and Subang ) known as Kliningan Bajidoran dance patterns and events that show the similarities with previous art (Tap Tilu / Doger / Tayub). In the meantime, the existence of the mask dances Banjet quite popular, especially in Karachi, where some motion patterns Bajidoran taken from the dance in this Banjet Mask. In choreographic dance it still reveals patterns of tradition (Tap Tilu) that contains elements of the movements of openings, pencugan, nibakeun and some range of motion mincid which in turn is the basis for the creation of dance Jaipongan. Some basic dance movements Jaipongan apart from Tap Tilu, Ibing Bajidor and Mask Banjet is Tayuban and Pencak Silat.

 he emergence of dance works Gugum Gumbira was originally called Tap Tilu development, which is due to basic dance it is a development of Tap Tilu. The first work Gugum Gumbira still very thick with color ibing Tap Tilu, both in terms of choreography and accompaniment, which then dance it became popular as Jaipongan.

Dance Jaipong
Traditional Arts West Java

 Jaipongan is a genre of dance that was born from the creativity of an artist from Bandung, Gugum Gumbira. Attention on folk art, one of which is Tap Tilu making Perbendaharan know and know very well the patterns of dance traditions that exist in Kliningan / Bajidoran or Tap Tilu. Movements openings, pencugan, nibakeun and some range of motion mincid of some art above has enough inspiration to develop a dance or art that is now known as Jaipongan. As a social dance, dance Jaipong successfully developed by dance artist Sunda be socialized and very loved by the people of West Java (in particular), even popular up outside West Java.

CALL Jaipongan actually not only be reminiscent of the kind of attractive Sundanese traditional dance with dynamic motion. Hands, shoulders, and hips always been a dominant part in lively motion pattern, accompanied by the beating of drums. Especially the female dancers, all of it is always accompanied with a sweet smile and a glance of the eye. This is kind of social dance in Sundanese dance tradition that emerged in the late 1970s that until today its popularity is still living in the community.

Sisingaan (Sundanese Traditional Arts Society)

origin of
Sisingaan is a distinctive art community Sundanese (West Java) that displays 2-4 stuffed lion that was carried by the players while dancing. On top of that carried the stuffed lion usually sit a child who will be circumcised or a public figure. There are several versions of the origin of art that grows and develops in these communities in West Java. The first version says that sisingaan appeared around 70s. It was at the pavilion in TMII West Java displayed the art of mutual lion or sisingaan the shape is still simple. And, of appearance in West Java bridge that then art sisingaan be known by the public until now.

 The second version says that sisingaan art was created around 1840 by artists from Ciherang area, about 5 km from Subang. At that time, Subang never be "owned" by the Dutch and the British by establishing P & T Lands. This causes Subang be as if the government doubles, because politically controlled by the Dutch, but the economy is under the influence of the P & T Lands entrepreneurs. As a result, the people of Subang be very miserable. In these circumstances, the arts sisingaan born as a form of popular resistance against the invaders both nations. And, to assert that art is a form of resistance sisingaan, then used two stuffed lion is a symbol of the country the Netherlands and the UK. Therefore, to this day in every game sisingaan always displayed at least two stuffed lions.

 In a further development, the arts sisingaan not only spread to other areas in Subang district, but also to other districts in West Java, such as Bandung, Purwakarta and Sumedang. In addition to spread to some areas, this art is also experiencing growth, whether in the form of a lion puppet refinement, the arrangement of dance, costume player, and waditra and the songs being played.

 players
The players are generally sisingaan adult males who are members of a group consisting of: 8 people penggotong stuffed lion (1 doll carried by 4 people), a leader of the group, some of the players waditra, and one or two people jajangkungan (players who using wood for walking along the 3-4 meters). These players are the ones who have special skills, either in dance or play waditra. Specialized skills that need to be owned by any player because in a collective show sisingaan needed a solid team that played all dance while carrying a stuffed lion can be in tune with the music played by the nayaga.

 Venue and Equipment Games
Sisingaan art is generally displayed around during the day with no home during the circumcision ceremony, welcomed the distinguished visitor, the village chief's inauguration, independence day celebration and so forth. The duration of a staging sisingaan usually takes a long time, depending on whether or not large village will be surrounded.

The equipment used in the game sisingaan are: (1) two or four stretchers stuffed lion. Stretcher frame and the head of the lion dolls made ​​of wood and bamboo wrapped with cloth and given a seat on his back. Meanwhile, for the feathers on the head and tail made ​​of yarn raffia. For the record, former lion-shaped stretcher is made of wood with feathers from the rafters and fireworks are usually made ​​at the time to hold impromptu performances. So, first sisingaan not permanent, but only used once and then discarded; (2) a set of waditra which consists of: two large drums (drums and percussion child ovary), a trumpet, three tap (bonang), a kentrung (kulanter), a small gong, and a manacle .; and (3) clothing consisting of players: pants shucks / pangsi, iket barangbang semplak, taqwa clothes and footwear tarumpah or salompak

 Performing Sisingaan
Sisingaan show begins with words of welcome were made ​​by the leader of the group. Once the group leader giving a speech, then the child would be circumcised or public figures to be paraded welcome to climb the lion doll. Furthermore, the tool accompaniment sounded to bring the songs are rhythmic dynamic to mark the beginning of the show. Then, a number of 8 players will start carrying two stuffed lions (one doll carried by 4 people).

 After the stuffed lion penggotong ready, then the leader will start giving the cue so they started doing dance movements simultaneously and concurrently. The doll was immediately penggotong do acrobatic movements are quite thrilling. Dance movements are usually played by the lion puppet penggotong is: igeul ngayun glempang, pairs / horses, mincid, padungdung, gugulingan, bangkaret, put up, kicking two, step back, Kael, EWAG, jeblang, Depok, solor , sesenggehan, genying, turn taktak, nanggeuy lions, lift jungjung, ngolecer, emblem, pasagi tilu, literacy cau, nincak rancatan, and kakapalan.

Meanwhile, the songs played by the interpreter to accompany the dance kawih usually taken from Tap Tilu art, Doger, and Kliningan, such as: drought, Song, Titipatipa, Gondang, Kasreng, Gurudugan, Mapay Roko, Flower yam, Kangsring, Flower Beureum, fruit Kawung, Gondang, Tenggong Petit, Sesenggehan, Badudud, stumps Kawing, Side Butut, Sireum Beureum, and the song interlude (Siyur, Tepang Sono, Durability Rajet, Fiber salira, Honey and Poison, Mr. Wonderful, Goyang Dombret, Warudoyong etc. ).

Performing this sisingaan done while surrounding neighborhoods or villages, and finally back again to its original place. And, with the arrival of the dancers in the first place, then the show was over.

 Cultural Values
Art as an expression of the human spirit, of course, contains the value of aesthetics, including traditional art sisingaan that fostered and promoted by society Ciherang, Subang. However, when examined in depth sisingaan contains not only aesthetic value, but there are other values ​​which in turn can be used as a reference in daily life for the people of supporters. These values ​​include teamwork, cohesiveness, orderliness, perseverance dam. Value cooperation seen from the togetherness in preserving the cultural heritage of its predecessors. Compactness and order value is reflected in a staging that can run smoothly. The value of hard work and perseverance reflected mastery of dance movements.

Sejarah Pencak Silat

Ancestors of Indonesia has had a way of self-defense which is intended to protect and preserve life or a group of natural challenges. Pencak Silat History | Rules of Pencak Silat | They created a martial imitating animal movements that exist in the surrounding environment, such as the movement of apes, tigers, snakes, or eagle. The origin of martial arts in this archipelago is also the possibility of developing skills of Indonesian indigenous tribes in the hunting and fighting with machetes, shields, and spears, for example as in the tradition of Nias tribe until the 20th century relatively untouched by outside influences.




Silat is expected to spread in the archipelago since the 7th century BC, but its origin can not be determined with certainty. Great kingdoms, such as Srivijaya and Majapahit mentioned have great warrior-warrior who mastered martial arts and can gather soldiers skills in self-defense can be relied upon. Researchers martial Donald F. Draeger found evidence of martial arts can be seen from a variety of weapons recovered artifacts from the classical period (Hindu-Buddhist) and the sculptured reliefs containing attitudes horses silat in Prambanan and Borobudur. In his book, Draeger wrote that the weapons and martial arts silat is indispensable, not only in body work alone, but also on the spiritual relationship that is closely associated with the culture of Indonesia. Meanwhile Sheikh Shamsuddin (2005) argues that there are significant martial arts of China and India in the martial arts. This is because since the beginning of the Malay culture has been influenced culture brought by traders and immigrants from India, China, and other foreign countries.Martial arts has been recognized by most of the Malay community in a variety of names. On the peninsula of Malaysia and Singapore, known as silat flow is gayong and cekak.Di Thailand, martial arts known as bersilat, and in the southern Philippines known as pasilat. From the name, it can be seen that the term "martial arts" the most widespread, so it is suspected that this martial spread to various regions of Sumatra in Southeast Asia shoreline.

 Silek (parried) Minangkabau demonstrate how to cripple an enemy who uses a dagger.

Martial traditions handed down orally and spread from mouth to mouth, from teacher to student taught, so that a written record of the origin of martial arts are hard to find. History of martial arts legend is told through diverse from one region to another. Legend Minangkabau Silat (Minangkabau language: Silek) created by Datuk Suri Kings of Pariangan, Tanah Datar at the foot of Mount Marapi in the 11th century. Then Silek taken and developed by the Minang people throughout Southeast Asia. Similarly folklore about the origins of martial arts Cimande flow, which tells the story of a woman who modeled the movement of a fight between a tiger and a monkey. Each region generally has a martial character (warrior) to be proud of, such as King Siliwangi Sundanese Pencak Silat Padjadjaran figures, Hang Tuah Malacca chief, Gajah Mada and Majapahit Mahapatih Pitung of Betawi.

 Historical development of martial arts began to be recorded when the distribution is heavily influenced by the Muslim missionaries in the 14th century in the archipelago. At that time martial arts are taught together with religious instruction at the mosque or seminary. Silat to be part of a spiritual practice. In some tribal cultures in Indonesia, martial arts are an integral part in a customary ceremony. For example Randai dance art that nobody else is Silek Minangkabau movement often featured in various events and custom event Minangkabau. In Betawi traditional wedding procession there are traditions "doorstop", ie Betawi martial arts demonstrations are packed in a small skits. This event is usually held before the marriage ceremony, which is a small drama that tells the groom's entourage on his way to the bride's house was blocked by a champion (warrior) who told the local village also put the heart to the bride. Then there was the fight martial halfway between champion-champion warrior-warrior ambush with bridesmaids man who of course won by the bodyguard of the groom. 

Then developed from silat martial arts and folk dance, arts education became part of the state to deal with foreign invaders. In the history of the struggle against the Dutch colonialists, carrying the warriors who took up arms, like Panembahan Senopati, Sultan Agung, Prince Diponegoro, Teuku Cik Di Tiro, Teuku Umar, Imam Bonjol, as well as the women warriors, such as Nan Aluih Sabai, Cut Nyak Dien, and Nyak Cut Meutia





Silat is now acknowledged as the Malay culture in a broad sense, ie the population of the coastal area of the island of Sumatra and the Malay Peninsula, as well as various other ethnic groups who use the lingua franca of the Malay language in various areas in Java, Bali, Kalimantan, Sulawesi, and the island others islands are also developed this martial.
Recognizing the importance of developing the role of martial arts it is deemed necessary to the organization that is the national martial art, which can also bind martial arts schools throughout Indonesia. On May 18, 1948, formed the Indonesian Pencak Silat Association (IPSI) IPSI is now listed as the oldest national martial arts organization in the world

 On March 11, 1980, the Union of Pencak Silat between nations (Persilat) was established on the initiative of Eddie M. Nalapraya (Indonesia), who was then chairman of the IPSI. The event was also attended by representatives from Malaysia, Singapore, and Brunei Darussalam. Four countries including Indonesia, designated as the founder Persilat.
Several national silat organizations include Indonesian Pencak Silat Association (IPSI) in Indonesia, Guild Silat Kebangsaan Malaysia (PESAKA) in Malaysia, Persekutuan Silat Singapore (EXACTLY) in Singapore, and Brunei Silat Guild (PERSIB) in Brunei. Has grown also dozens of martial arts universities in the United States and Europe. Silat has now officially entered the sport in international matches, particularly competed in the SEA Games.

 Martial arts or martial
is a traditional martial art that originated from the archipelago. This martial art is widely known in Indonesia, Malaysia, Brunei, and Singapore, the southern Philippines and southern Thailand in accordance with the spread of ethnic Malay Archipelago. Thanks to the role of the coach from Indonesia, Vietnam now also has a formidable fighter-fighter. Parent martial arts organization in Indonesia is Indonesian Pencak Silat Association (IPSI). Organization that embodies federations of martial arts in various countries Persekutuan Pencak Silat is Among the Nation (Persilat), which was formed by Indonesia, Singapore, Malaysia and Brunei Darussalam.

Pencak Silat is a martial sport that requires a lot of concentration. There is the influence of Chinese culture, Hinduism, Buddhism, and Islam in the martial arts. Usually every region in Indonesia has a typical martial arts school. For example, the area of West Java is famous and Cikalong Cimande flow, no flow in Central Java, White Dove and no flow in East Java Shield Yourself. Every four years in Indonesia there is a national level martial arts match in National Sports Week. Martial arts also competed in the SEA Games since 1987. Beyond Indonesia also there are many fans of martial arts such as Australia, the Netherlands, Germany, and America.
At the national level sport through games and sports martial arts into one of the means of unifying the country, even to the name of the nation, and the identity of the nation. Martial arts sport has been contested at the international scale. In Indonesia a lot of flow in the martial arts, with many streams shows that there is a wealth of culture in Indonesia with the values ​​in it.


The term in the Pencak Silat


Silat Betawi when the first "Cross Doors" in the tradition of the Betawi weddings, central lock disarm machete modeling techniques.
• The horses: is the position of the foot tread to strengthen the position of the body. The horses are strong and sturdy it is important to maintain the position of the body that are not easily dropped. The horses are also important to resist the urge or the basis for the starting point of attack (kicks or punches).
• Attitude and Motion: Pencak Silat is a system consisting of attitudes (positions) and gestures (movement). When a fighter moves when fighting, attitudes and movements change with the change of the opponent's position on an ongoing basis. Soon after finding the opponent's defense weakness, then fighters will try to beat your opponent with a fast attack.
• Step: A unique feature of Silat is the use of a step. This step is important in the martial arts game is good and right. There are some recognizable patterns of steps, for example, step three and step four.
• Kembangan: is the hand movements and gestures are made ​​with care, be aware of the movements of the enemy, while the enemy lurks gap defense. The main development is usually done at the beginning of the game and be able to anticipate the attack or deceive the enemy. Often motion resembles a dance or martial arts development in the Sunda maenpo resembles ngibing (jig). Development is one part of a major assessment in the arts of martial arts that promotes the beauty of movement.
• Fruit: Pencak Silat has many kinds of defense and attack techniques. Traditionally the term of this technique can be likened to the fruit. Ordinary fighter uses hands, elbows, arms, legs, knees and feet in the attack. Common techniques include kicks, punches, stumbling, sweep, locking, throwing, holding, breaking joints, and others.
• Kick: fighters train with the moves. Kick is a series of basic movements for the upper and lower body, which is used as a guide to mastering the use of advanced techniques of martial arts (fruit), the time to practice singly or in pairs. The use of a step, or a small movement of the body, teaches the use of setting foot. When combined, that Basic Pasan, or flow throughout the body.
 • A wash and Cutouts: is one kind of fruit (technique) dropped the enemy by attacking enemy horses, namely the sweep kick or pinch (cut) feet of the enemy, so the enemy lose his balance and fall.
• Locks: is a technique to immobilize an opponent so helpless, unable to move, or to disarm the enemy. Lockdown involves avoidance movement, trickery, and fast movement that typically target the wrist, arm, neck, chin, or the enemy's shoulder.

 Aspects and forms

  
  Arts of West Sumatra Randai wear Silek (silat) as an element of the dance.There are 4 main aspects of the martial arts, namely:1. Mental and Spiritual Aspects: Pencak Silat build and develop one's personality and noble character. The mighty warriors and ancient martial arts teachers often have to pass through the stages of meditation, penance, or other aspects of mysticism to achieve the highest levels of science.2. Aspects of Cultural Arts: Culture and games "art" of martial arts is one very important aspect. Pencak terms generally describe the dance art form of martial arts, with music and traditional clothing.3. Aspects of Self-Defense: self-confidence and perseverance is very important in the martial arts master in the martial arts. The term martial arts, tend to emphasize the technical aspects of the martial abilities of martial arts.4. Aspects of Sports: It means that the physical aspects of the martial arts is important. Fighters tried to adjust the mind with the body though. The competition is part of this aspect. Aspects include games and sports demonstrations stance forms, both for single, double or team.

 Forms of martial arts and His residence (where berlatihnya) different from each other, according to the aspects emphasized. Many stream that finds its origin from the observation of a wild animal fights. Silat-martial tigers and monkeys are examples of such streams. Those that argue that the martial aspect and exercise, both physical and breathing, is the beginning of the development of martial arts. Aspects of sports and martial aspect is what has made martial arts became popular in Europe.
However, many argue that the main points of martial arts stripped away, or facilitated, while joining the martial arts sports world. Therefore, most martial arts practitioners continue to focus on traditional or spiritual forms of martial arts, and does not follow the rules of membership and adopted by Persilat, as a martial arts setting organizations worldwide.

WeaponIn addition to empty hand fighting, martial arts also recognize a variety of weapons. among others:• Keris: a small knife stabbing weapon shaped, often with a wavy blade made by folding different types of metal together and then washing in acid.• Kujang: Sundanese blade• Side / Linso: silk scarf worn around the waist or shoulder, used in locking techniques and for defense against a knife.• Pole: sticks made of wood, steel or bamboo.• Cindai: fabric, usually worn as sarong or wrapped as head gear. Traditional women cover their heads with a cloth that can be converted into Cindai.• Tongkat / Toya: walking stick carried by the elderly, travelers and traveler.• Fan: Traditional folding fan that skeleton can be made of wood or iron.• Kerambit / Kuku Machan: A blade shaped like a tiger's claws that can be inserted in the woman's hair.• Crescent / sickles: a sickle, commonly used in farming, cultivation and harvesting crops.• Sundang: Bugis a double edge sword, often wavy-bladed• Rencong: slightly curved dagger Aceh• Mashed Pepper: small dagger that is also slightly curved like a dagger, literally means "destroyer of pepper".• Mace: blunt weapon made of steel.• Spear: javelin made of bamboo, steel or wood that sometimes has feathers attached near the blade.• Parang / Golok: short sword used in everyday tasks such as cutting the time combing the woods.• Trident: three three-pronged stake or weapon• Chabang / Branch: short-handled trident, literally meaning "branch".

The level of proficiency In summary, student, or martial arts fighters divided into several stages or levels of proficiency, namely: 1. Starters, taught all the basic stages as the horses, the technique kicks, punches, blocks, dodgery, catch, dings, body work, as well as a series of basic steps and moves standard college IPSI  

2. Medium, ditahap, the fighter is more focused on the application of all the basic movements, understanding, variation, and here will start to look the interests and talents of fighters, and will be distributed to each branch, for example, Sports & Arts. 3. Trainer, the result of a mature capability based on experience in the budding stage, and the medium will make the fighters step into the next stage, where they will be given techniques - techniques martial arts college, where this technique is only given to people who are trustworthy, and technically capable and morally, because usually a self-defense technique combat techniques are very effective in paralyzing the opponent / very deadly. 4. Swordsman, a fighter who has been recognized by the elders college, they will inherit the secret sciences high level. 

Disciplines of martial arts
In line with cultural norms and values, especially in Indonesia, there are some rules that must be done carefully when practicing martial arts, including the following. [6] • The opening ceremony of the training consists of: o Setting up the ranks; o Prayer led by coach; o Readings "Indonesian fighters vow" o Respect for coaches, led by the leader sequence. • Warming • Exercise the core • Cooling • The closing ceremony ended with a tribute workout and shake hands.   

 Positive values ​​of martial arts
Some of the positive values ​​obtained in the martial sport of martial arts are: 1. Health and fitness; 2. Generating self-confidence; 3. Exercising mental toughness; 4. Developing high self-awareness; 5. Fostering a spirit of sportsmanship and knights; 6. Discipline and higher ductility.